Foto storie di un istante - "Nuove visioni"
La Fotografia・2 minutes read
In the 1920s and 1930s, European photography evolved towards a "new vision," embracing unconventional perspectives and dynamic urban compositions, as seen in the works of Moholy-Nagy, Ruth Cenco, and Rodchenko. This shift highlighted the impact of industrialization and modernity, contrasting traditional views with innovative techniques such as extreme vertical angles and scientific imagery that captured the essence of city life.
Insights
- European photography in the 1920s underwent a significant transformation towards a "new vision," as photographers like Moholy-Nagy and Ruth Cenco embraced unconventional angles and compositions to depict the fast-paced, industrial nature of urban life, moving away from traditional perspectives and celebrating the dynamic essence of modern cities.
- The late 1920s marked a transition to a "new objectivity," with figures like August Sander focusing on realistic portrayals of life, while the constructivist movement encouraged innovative techniques, such as diagonal lines and superimposition, to capture the chaotic yet vibrant nature of urban existence, reflecting both the artistic experimentation and a critical response to societal conditions.
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Modern photography refers to the evolution of photographic techniques and styles that emerged in the late 19th and 20th centuries, characterized by a departure from traditional methods. It encompasses a wide range of approaches, including experimental techniques, abstract compositions, and innovative perspectives. Modern photography often emphasizes the dynamic nature of contemporary life, capturing urban environments and the effects of industrialization. It also includes movements such as constructivism, which focuses on the use of geometric shapes and lines to convey meaning. Overall, modern photography reflects the changing world and the artist's response to it, pushing the boundaries of visual representation.
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Summary
00:00
Revolutionary Perspectives in 1920s European Photography
- In the 1920s, European photography experienced a shift towards a "new vision," characterized by unconventional perspectives and the collapse of traditional horizon lines in images.
- Photographers like Moholy-Nagy and Ruth Cenco captured urban life, emphasizing speed, industrialization, and the dynamic nature of modern cities through innovative angles and compositions.
- Bernhard Graf's 1929 book, "Here Comes the New Photographer," contrasts traditional perspective photography with modern views, highlighting the pedestrian's oblique gaze in urban environments.
- The upward lens angle, termed "conter plus," became popular, showcasing skyscrapers and factory chimneys, as seen in works by Knud Lomber Colma and Albert Renger-Patzsch.
- Ziga Vertov's film "Friend of the Rock" features a camera positioned dominantly, capturing the city from above, creating a sense of vertigo and childlike simplicity in urban scenes.
- Rodchenko's overhead shots merge planes of depth, revealing the dynamic nature of city life, as seen in his May Day demonstration photograph, showcasing both head and feet in one frame.
- The 1930s introduced extreme vertical perspectives, inspired by aerial photography, transforming mundane images into enigmatic visuals, as demonstrated in Lux Feininger's "The Road."
- Scientific photography expanded perspectives, utilizing a fish-eye lens to create a 180-degree view, exemplified by a Beau's image of Potsdamer Platz, enhancing visual perception.
- The constructivist movement influenced photography, with artists like Alice's and Rodchenko applying diagonal lines to convey revolutionary dynamics, as seen in their works from the 1920s.
- Photographers like Raul Ousman and Jermaine Krul explored abstraction, using light and shapes to create minimalist compositions, reflecting the chaos of modern urban life through innovative techniques.
21:40
Photographic Kaleidoscope of Urban Modernity
- In 1931, a Lithuanian photographer created a book using superimposition and multiple exposures to produce a photographic kaleidoscope, capturing the dynamic essence of urban life and modernity.
- The late 1920s shifted focus from experimental photography to a new objectivity, with photographers like August Sander emphasizing reality, while Soviet perspectives faced criticism for lacking social utility.
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