COLOUR MIXING SOLUTIONS in oils - Create 3D Effects + What's on my Palette!
Andrew Tischlerγ»2 minutes read
The text discusses the setup and organization of a painter's palette, including safety tips for handling oil paint and the importance of color choice and mixing techniques for vibrant and realistic paintings. It emphasizes the use of primary colors and careful adjustments in tone and saturation to create depth and atmosphere in landscape paintings.
Insights
- Organizing the palette with earth tones above white and high chroma colors below white facilitates cleaner mixes and a quicker work pace, enhancing the efficiency of the painting process.
- Utilizing primary colors cyan, magenta, and yellow, inspired by printer CMYK colors, allows for vibrant secondary colors and versatile combinations, particularly beneficial for creating skies, clouds, and landscapes with depth and distance while balancing tone and saturation for optimal results.
Get key ideas from YouTube videos. Itβs free
Recent questions
How should I organize my palette for painting?
The palette organization should follow an order where earth tones are placed above white, and high chroma colors are positioned below white. This setup aids in cleaner color mixes and a faster work pace, ensuring efficiency and ease during the painting process.
What safety precautions should I take when handling oil paint?
It is essential to wear rubber gloves when handling oil paint due to the toxic materials present in the paint, such as lead, cobalt, and cadmium. This precaution helps to avoid skin contact with these harmful substances, ensuring the safety of the artist during the painting process.
What are the primary colors used in landscape painting palettes?
Primary colors commonly used in landscape painting palettes are cyan (cobalt teal), magenta (quinacridone magenta), and yellow (cadmium yellow lemon). These colors are inspired by printer CMYK colors and offer versatile color combinations for creating depth and distance in landscape paintings.
How can I achieve atmospheric perspective in my paintings?
Achieving atmospheric perspective involves maintaining a balance between highlight and shadow tones, with a gradual increase in brightness and saturation as objects move closer in the painting. This technique creates a sense of depth and distance, enhancing the realism and visual impact of the artwork.
What colors are recommended for creating vibrant secondary colors in paintings?
Mixing primary colors like cyan, magenta, and yellow can yield vibrant secondary colors such as clean green, scarlet, and violet. Choosing the right colors and mastering color combinations is crucial for achieving optimal results in paintings, emphasizing the importance of color choice in the artistic process.
Related videos
RICHARD MUSGRAVE-EVANS
OCEAN WAVES in MOTION - Impasto SEASCAPE Oil PAINTING // Beach - Surf πββοΈ Sunny Coastal!!!
Bob Ross
Bob Ross - Mountain Ridge Lake (Season 23 Episode 3)
Stuart Davies
More Illusions of Detail - Painting the Illusion of Depth
Bob Ross
Bob Ross - Autumn Fantasy (Season 20 Episode 7)
pikat
Introduction to COLOR THEORY
Summary
00:00
Efficient Palette Setup for Vibrant Paintings
- The palette setup includes an old gas lift stool with a table easel attached, an old refrigerator shelf spray-painted gray for color gauging, and a receptacle for camera batteries and memory cards.
- The palette organization follows an order: earth tones above white, high chroma colors below white, aiding in cleaner mixes and faster work pace.
- Safety tip: Wear rubber gloves when handling oil paint due to toxic materials like lead, cobalt, and cadmium to avoid skin contact.
- Colors on the palette include burnt umber for shadows, yellow oxide for warmth, transparent yellow oxide for glazing, and titanium white for landscapes.
- Lead white is preferred over zinc white for longevity in paintings, with cadmium lemon and cadmium red for vibrant colors, and quinacridone magenta and ultramarine blue for deep tones.
- Cobalt teal is a favorite for its turquoise hue, while phthalo green is strong for foliage and dark tones.
- Mixing dark tones: Burnt umber and ultramarine blue create a neutral black, while phthalo green, burnt umber, and quinacridone magenta combine for a deep tone.
- Cleaning the palette involves scraping off excess paint with a palette knife, wiping with baby wipes containing mineral oil, and ensuring a clean area for color mixing.
- Primary colors on the palette are cyan (cobalt teal), magenta (quinacridone magenta), and yellow (cadmium yellow lemon), inspired by printer CMYK colors for versatile color combinations.
- Mixing primary colors yields vibrant secondary colors like clean green, scarlet, and violet, emphasizing the importance of color choice for optimal results.
14:30
"Creating Depth with Primary Colors in Painting"
- Primary colors are preferred for painting skies and clouds due to the clean secondaries they can create, which are more versatile than the traditional red, blue, and yellow.
- Landscape palettes commonly include primary colors for their ability to create depth and distance in paintings, as seen in the example of a painting of Milford Sound.
- Balancing tone and saturation is crucial for creating depth in paintings, with careful adjustments needed to prevent colors from appearing too close to the viewer.
- Mixing ultramarine blue, burnt umber, titanium white, cobalt teal, and quinacridone magenta can achieve desired colors for mountain shadows and highlights, with adjustments made to desaturate or intensify as needed.
- Manipulating color relationships is key to creating three-dimensional effects on a two-dimensional surface, with tones getting brighter and shadows darker as objects move closer to the viewer.
- Achieving atmospheric perspective involves maintaining a balance between highlight and shadow tones, with a gradual increase in brightness and saturation as objects move closer, demonstrated in a painting of Milford Sound.
