AFX Drums: Chaos in Order - how to GLITCH like Richard D. James | Aphex Twin Beats

Captain Pikant2 minutes read

Aphex Twin, or Richard D. James, employs innovative drum techniques using vintage equipment and found sounds to create intricate compositions, exemplified through his diverse methods such as layering environmental samples and manipulating traditional drum patterns. The video outlines his signature styles, including glitchy Hi-Hat sounds, selective reverb on snare hits, and ambient experimentation, encouraging producers to incorporate these strategies for enhanced rhythmic depth.

Insights

  • Aphex Twin, known for his unique approach to music production, effectively combines vintage drum machines and everyday sounds to create intricate and innovative rhythms, as seen in techniques like using found sounds and layering various unconventional noises to enrich his tracks.
  • The video outlines specific methods for achieving Aphex Twin's signature sound, such as utilizing glitch techniques by manipulating Hi-Hat notes and applying selective reverb to snare hits, emphasizing the importance of experimentation with elements like ratchets and ambient pieces to enhance musical depth and complexity.

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Recent questions

  • What are found sounds in music?

    Found sounds are everyday life samples used in music production. They can be anything from environmental noises to unique vocalizations, and they add an organic quality to compositions. For instance, Aphex Twin often incorporates found sounds into his tracks, creating a distinctive auditory experience. An example is the intro of "Alberto Balsalm," where a sound is produced by strumming the lower lip, which is then manipulated through pitch shifting and effects. This technique not only enriches the texture of the music but also blurs the lines between traditional musical elements and everyday sounds, making the listening experience more immersive and innovative.

  • How can I create glitchy drum sounds?

    To create glitchy drum sounds, you can manipulate the length of Hi-Hat notes in your digital audio workstation (DAW). By turning off the "One Shot" option in your drum plugin, you allow for short bursts of sound that contrast with regular hits. This technique enhances the swing of the rhythm and introduces an unpredictable, jittery quality to the drum pattern. Aphex Twin often employs this method to achieve a unique sound in his tracks, making the rhythm feel more dynamic and engaging. Experimenting with different note lengths and placements can lead to exciting variations in your drum programming.

  • What is a spot effect in music production?

    A spot effect in music production refers to the selective application of effects, such as reverb, to specific hits or elements within a track. This technique allows for greater depth and dimension in the mix, as it emphasizes certain sounds while keeping others more subdued. For example, in the context of Aphex Twin's work, applying reverb to specific snare hits can create a sense of space and highlight those moments in the rhythm. It's important to maintain the reverb effect consistently while adjusting the send levels for different hits, allowing for a tailored approach that enhances the overall sonic landscape of the track.

  • What are ratchets in music?

    Ratchets, or repeats, are a rhythmic technique used in music production where a sequencer breaks a step into equal parts, creating a sense of nervousness or tension in the rhythm. This technique is often employed in electronic music to add complexity and interest to drum patterns. Aphex Twin utilizes ratchets in tracks like "Minipops 67" and "Heliosphan," demonstrating how subdividing beats can create a more intricate and engaging listening experience. By experimenting with different subdivisions and placements, producers can enhance the dynamics of their rhythms, making them feel more alive and unpredictable.

  • How can I enhance rhythm in my music?

    To enhance rhythm in your music, consider integrating sudden stops and dynamic changes into your drum patterns. One effective method is to trim the tails of sounds by placing an additional kick sound where you want the original sound to stop, then reducing its velocity to make it inaudible while choking the preceding kick. This technique creates a more complex rhythmic structure by introducing unexpected pauses and accents. Additionally, using automation on sequencers to adjust volume, hold, or decay can further refine your rhythm. By experimenting with these techniques, you can develop a more intricate and compelling rhythmic foundation in your music production.

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Summary

00:00

Aphex Twin's Innovative Drum Techniques Explained

  • Aphex Twin, also known as Richard D. James, is recognized for his innovative drum tracks that blend sophistication with minimalism, often utilizing vintage drum machines to enhance compositions.
  • The video presents six signature drum techniques used by Aphex Twin that can be applied in various music production environments, including drum machines and digital audio workstations (DAWs).
  • "Found sounds," which are samples from everyday life, are frequently incorporated into Aphex Twin's tracks. An example is the intro of "Alberto Balsalm," where a sound is created by strumming the lower lip, which is then pitched down, sample rate reduced, and high frequencies rolled off, followed by adding reverb.
  • The foundational beat in the example uses acoustic drum samples, with additional layers like a chair dragging sound added every other bar through a conditional playback setting, and a typewriter sound layered on top of a shaker.
  • In "Blackbox Life Recorder 21f," a four-bar drum pattern is created using the TR-707 and TAL-Drum plugin with Goldbaby 707 samples, featuring effects like reverb and "Space Echo" delay, while progressively adding more drum hits to create a twitchy rhythm.
  • To achieve a glitchy sound, the video explains how to shorten Hi-Hat notes by turning off the "One Shot" option in TAL-Drum, allowing for short bursts of sound that contrast with regular hits, enhancing the swing of the pattern.
  • A technique called "spot effect" is demonstrated, where reverb is selectively applied to specific snare hits to create depth, emphasizing that the reverb should always be on, with varying send levels for different hits.
  • Ratchets, or repeats, are highlighted as a key element of Aphex Twin's sound, where sequencers can break a step into equal parts, with examples from "Minipops 67" and "Heliosphan" showing how to create nervousness in the rhythm through subdivisions.
  • The video discusses transforming sounds into oscillators by looping samples, with the example of a 909 Rimshot, where shortening the sample increases the frequency, creating a cohesive sound, as seen in "Mangle 11" and "1st 44."
  • Lastly, the video suggests experimenting with ambient pieces without drums, referencing tracks like "Rhubarb" and "XTAL," which utilize a steady metronomic bass drum or a long-decaying bass drum to create space and depth in the mix.

20:02

Enhancing Rhythm in Music Production Techniques

  • To enhance rhythm in music production, after familiarizing the listener with the sound, trim the tails by placing an additional Kick sound where you want the original sound to stop, then reduce its velocity to the minimum to make it inaudible while choking the preceding Kick; alternatively, use automation on sequencers to lower volume, hold, or decay. This technique integrates sudden stops into the rhythm, adding complexity, and for further ideas, refer to the video description.
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